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Thank you!

Agreed! I hope it's not a lost cause like the theater in Kilgore ... i've been inside that one and it's utterly tragic.

Definitely! I need to try the Contax G1 28mm someday ... I think the 28 and 45 might have been a more ideal kit for me.

@@JamieMPhoto For me, the 28/45/90 is an ideal landscape kit and the 21/45/90 is a great general subject kit.

🤣🤣🤣

Thank you!! I need to find a groove and do some more, for sure.

I've been meaning to try more Rollei film. Good idea!

@@JamieMPhoto I mean Ferrania P30 developed with Rollei Supergrain. Top!

I appreciate it! Had to try something new for sure. Thank you!

Thank you! I wish P33 were out when I actually made this video ... but maybe I'll have to do a sequel. :)

@@JamieMPhoto If you are going to do the thing, then P30 is it. Why even bother with P33 and then having to crush the shadows for a little iso compensation?

Thank you!! I appreciate it!

Thank you!!

Brilliant. Thank you!

Thank you! I'm going to try to make myself do more. I'm starting to find some routine with the darkroom.

I am kind of surprised there's not some kind of more viable alternative because it truly is just two heavy rollers with a motor or hand crank. Even with the tiny market it, it seems like someone could cook up something. And since it costs the same as a typical box of 8x10 film now, it's somehow more accessible. I have a 300mm Fuji lens, but also have a 240 Sinar/Rodenstock lens. The 240 covers and has faster shutter speeds, so it's a nice and relatively cheaper alternative. The 300 is amazing, though, and still doesn't cost a ton ($500-ish I think). And thank you!

@@JamieMPhoto Yeah right..even an update "processor/printer" would be good..im just worried that later down the line I hope their are still some that are in good working condition..I just like this setup bc it gives you a chance to feel the process and history of photography in a more convenient "Polaroid" way lol

Thought I'd use some of the time I save people after they start using the Rate button for myself.

Good approach! I'm iffy at remembering to bring things like that along, but I would be so much better off if I did. haha. Thank you!

Thank you! Flashpoint Streaklight 360 in and out of a Paul C Buff strip box depending on the mood. ha ha.

Thank you! Likely so, though the 120 wasn't out yet. I do like it now that it's available, though!

@@JamieMPhoto it's funny, the grain is quite unique on this film with that color noise. It reminds me quite closely of the early days of plate color photography when they used potato starch and "autochrome" photography as per: en.wikipedia.org/wiki/Autochrome_Lumi%C3%A8re #12 is a great portrait with that unique grain!

Thank you!

Nice job investigating that with presumably more than one video. I can tell my work gives "guy with camera" vibes and I'm assuming you think the women I work with are too dumb to know what I'm doing to them or whatever.🥴

You're welcome! Have fun with it, and share your results!

Duly noted.

I had assumed, though I hadn't been able to compare. I find it to be a more "True" 800 than Portra 800, which typically looks better to me when overexposed a bit.

Interesting! I'll have to try it around that speed, too.

@@JamieMPhotogive it a presoak then rodinal 1+50 15 minutes. it's got grain but the contrast is less "crunchy" i'm still trying to nail a pyrocat time.

@@cecilsharps Duly noted!

Oh yeah! Wow, I hope you can stay safe and warm. Thank you for listening/watching!

Thank you!! You're obviously welcome if you're ever in Texas. :)

Thank you! And thank you for watching/listening!

You're very welcome, and thank you for making it and making it available! Hopefully we can find a footing and help people have something to continue their film podcast listening with.

Oh yeah! I forgot about them. Thank you for reminding me.

Thank you! haha. And indeed! It, Rodinal, and 510 Pyro cover just about all of my needs without worrying so much about expiration dates.

Agreed! Definitely looking forward to what she sees and what she can make there.

You're welcome, and I am too!! THANK YOU! Can't wait to really get things figured out.

Awesome, I really appreciate that! And you have a great point about gear obsession being pretty much universal ... anyone looked at musicians ever? ha ha. And yeah, the "gear" channels are definitely a YT priority. It's hard to tell if that's engineered fully or if that's really just how it is. Thank you for listening/watching, and commenting!!

Thank you! Very true. I like the Mamiya TLRs because it makes it a bit easier to get different fields of view as opposed to the fixed lensed TLRs.

Thank you!!

Thank you!! And thank you for watching!

Thank you!! I gotta get back to video making.

Great, and you're welcome!

Oh cool! That was definitely fun.

Nice! I feel like it's changed throughout the batch, so I'm interested to shoot even more. And thank you!

Most of my models happen to be friends, and the ones that don't start that way are largely friends of friends who can vouch for me. If I contact someone who I can't see any direct contacts to, then I'll still refer them to a few people they can talk to independently of me. Doing that and providing examples of work and maybe basic ideas for doing a simple test shoot in a public place tends to work very well. I hope that helps at all!